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Amir Khusro - अमीर खुसरो

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Amir Khusro - अमीर खुसरो(圖1)-速報App

अबुल हसन यमीनुदीन खुसरो (१२५३-१३२५) आम लोगों में अमीर खुसरो के नाम से प्रसिद्ध हैं । वह एक महान संगीतकार, विद्वान और कवि थे । वह सूफ़ी रहस्यवादी थे और दिल्ली वाले निजामुदीन औलिया उन के आध्यात्मिक गुरू थे ।

Amir Khusro - अमीर खुसरो(圖2)-速報App

Abul Hasan Yamin-ud-Din Khusro (1253-1325) popularily known as Amir Khusro was an Indian musician, scholar and poet. He was a Sufi mystic and a spiritual disciple of Nizamuddin Auliya of Delhi. He wrote poetry in Persian and Hindavi. He is regarded as the ‘father of qawwali’. He enriched Hindustani classical music by introducing Persian and Arabic elements in it. He was the originator of the khayal and tarana styles of music. He also invented tabla. His verse forms include Ghazal, Masnavi, Qata, Rubai, Do-Beti and Tarkibhand. His main poetical works are Tuhfa-tus-Sighr, Wastul-Hayat, Ghurratul-Kamaal,Nihayatul-Kamaal, Mathnavi Noh Sepeh etc. Khusro's Hindavi Poetry {pahelis (riddles), dohas (couplets) and geets (songs)} seem to have been orally transferred from generation to generation by Qawwals, mirasees (professional singers), bhands (stage performers) and women-folk.

Amir Khusro - अमीर खुसरो(圖3)-速報App

हिन्दी कविता अमीर खुसरो - Poetry Amir Khusro

Amir Khusro - अमीर खुसरो(圖4)-速報App

दोहे अमीर खुसरो - Dohe Amir Khusro

Amir Khusro - अमीर खुसरो(圖5)-速報App

कह-मुकरियाँ अमीर खुसरो - Kah-Mukriyan Amir Khusro

Amir Khusro - अमीर खुसरो(圖6)-速報App

पहेलियाँ अमीर खुसरो - Paheliyan Amir Khusro

Amir Khusro - अमीर खुसरो(圖7)-速報App

Dhakosale/Anmeliyan/Ulatbaansiyan Amir Khusro

Amir Khusro - अमीर खुसरो(圖8)-速報App

Dosukhne Amir Khusro

Dohe Gharelu Nuskhe Amir Khusro

Khusrow is regarded as the "father of qawwali" (a devotional music form of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrow was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.

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